Film Review – The Creator (2023)
Man Versus the machine is a story that has been with cinematic history since early days of film. As the decades went on, technology evolved and so did the one …
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Film Review – The Lesson (2023)
Who said thrillers can’t be elegant? Alice Troughton‘s ‘The Lesson‘ has plenty of elegance and mystery. No one is quite what they seem, with lingering dark secrets ready to creep …
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The Chronicle Episode 018 – Past Lives & The Nun II Listen Now!
The latest episode (018) of The Chronicle our official film podcast here at The Peoples Movies. This week’s reviews include critically acclaimed drama Past Lives and horror The Nun II. …
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Film Review – Crimes Of The Future (2023)
Long live the new flesh as David Cronenberg returns to familiar ground with body horror in Crimes Of The Future. No connection with the veteran Canadian director’s 1970 film of …
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Film Review – Past Lives (2023)
Let’s be honest, we all enjoy being a little nosy when it comes to other people. Let’s take the opening scene of the delightful ‘Past Lives‘ and the favourite pastime …
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Film Review – The Nun II (2023)
The Conjuring universe has provided us with a mixed bag of spin-off films, including Annabelle and The Nun. The doll has demonstrated that sequels can be successful. This time, the …
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The Chronicle Episode 017 – Cobweb & The Equalizer 3
The weekend is here, as I get ready to create Episode 018, lets have another listened to the previous episode of The Chronicle 017. Two reviews with horror CObweb and …
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Film Review – The Equalizer 3 (2023)
Justice knows no borders; Denzel Washingto knows the end of the road is nigh in The Equalizer 3. For the third and final time, Antoine Fuqua and Washington work together …
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Film Review – Mildred Pierce (1945)
When the Criterion Collection finally arrived in the UK back in 2016, my wish list was quickly made. One of the films on that list was “Mildred Pierce” (1945), directed …
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Film Review – Cobweb (2023)
In the era when CGI does virtually everything in film, we enjoy it when horror returns to basics for its scares. The film marks Samuel Bodin‘s feature-length debut, whom people …
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